Due to its subject matter, Cabaret was never going to be a film that turned its gaze away from the taboos of gay sexuality and creeping fascism, but nor could it, within the context of the US moral conservatism of the time, embrace the explicitness of Isherwood’s writing. While a 21st-Century audience is more accustomed to seeing same-sex relationships on screen, Cabaret"s matter-of-fact but largely implicit

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