The leading theorists of that revolt, the poets William Wordsworth and Samuel Taylor Coleridge, in the “Preface” (1800) to Lyrical Ballads urged the observance of a few simple rules basic to all great poetry and demanded a return to the integrity of expressive form. A similar revolution in taste was taking place all over Europe and also in China (where the narrow pursuit of formula had almost destroyed poetry). The Romantic taste could enjoy the “formlessness” of William Blake’s prophetic books, or Walt Whitman’s Leaves of Grass, or the loose imagination of Shelley—but careful study reveals that these writers were not formless at all. Each had his own personal form.

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